Not rhyme, mind you
Back to Bi Janus Home
Human Thanksgiving
Bi Janus
I, having waked,
feel you stretching
in contented sleep
as I have felt men do
in contentment,
though you are not a man.
Whether with yang of men
or with nothingness
that is woman’s yin,
I flow to the opposite pole,
and the contentment
just before waking
is the same,
something in the spirit,
if spirit exists,
is the same.
Beneath the heated blanket,
not waking alone,
but not strictly aware
that I am with you,
the sigh and the reach
of your arm to mine
as I draw a breath
is our thanksgiving.
The Boy Confused (1982)
Bi Janus
The meter is inexact
He can’t find a rhyme
in this landscape
He tries, I distract
him for a time
Why him he thinks
He, pupils dilated,
wanting you
he has written the play
Frustrated
when he hears your cue
He must take us
to have you
Shard
Bi Janus
The verse is a shard,
found in situ
in a certain layer.
I brush the dirt away
with camel hair of vocal cords,
slowly sounding its contours.
If I speak other shards,
I may piece a pot together
and hold it up before me.
I cannot know
if the potter was a saint
or a murderous heart.
Questions for Hart Crane
Bi Janus
for Myron Ochshorn (1920-2012)
Were you difficult
because of coyness?
In my youth I struggled
with you, and you
held me tight all the way
into the sea.
In my age,
ashore, you are
the last one who
moves me to weep.
The veneer of indirectness
cannot conceal you.
Whom did you think
you would disappoint,
one woman among
all the men, not enough?
Did you think the Gulf
tenderer than your
own drunken judgment?
And all because you
were on your knees
before those sailor boys
as Winters’ crowd,
protesting the whole while,
was before you unable
to help itself.
In my youth
I thought you
another Blake.
I know better
in age.
Still, while I would converse
with Eliot across
a linen-covered table,
with you I would
sneak to the back row
of a second-run cinema
under the flickering projector
to savor the touch
of your shoulder
on mine in the darkness.
Between Florida and the Cascades, Eli
Bi Janus
How does a man
compete with a place?
What’s the calculus
of the hurricane
and the volcano?
Brief reunions,
twice a year,
would haul us
across the rasp
endlessly, keeping
the wounds weeping
red wolf tears
until our wolves shriveled.
Intimates reduced
to acquaintance, what
would our talks encompass—
the river of longing
between the hearts,
worse, our work,
a holiday mimeograph?
Eli, you saved me
for Ann, and I
you for Justine.
We kept the cake,
eating it, too,
sating the wolf’s hunger.
Are we longtime companions,
whispered to the world now
in encrypted obituary code?
Vivimos dia por dia.
Email is no touch,
yet I look
for yours every day,
and, as to touch,
none is more
than less.
We would not bear
thirty more goodbyes,
thirty more last times.
Sex, the Animal
Bi Janus
Sex, the animal,
is but a small part
of us, he says.
Which way we
are pulled
is no great matter,
the soul weighing
what it does,
he says.
I wonder aloud at him.
You’re a fucking liar,
afraid to admit
how much your prick
weighs against
your soul.
Or, you’re not pulled
so much as stuck.
Sex, the animal,
says he, is
an appurtenance,
a dim signal
of magisterial
humanity.
Let’s pull it out
as we might
a vermiform vestige.
You twit, I moan.
Sanctimony draping
pure electric body
won't give you
respite from looking
over your shoulder
to find the wolf
in your eye's corner
and your fields all
overgrown with lavender.
Hué
Bi Janus
Ty, home in a box.
They told us about
the jungle, not
the concrete
of Hué City.
Your last day,
spent among ruins
like Berlin in forty-five,
among sniper’s nests,
not palms and rice.
Your sweetness lost,
no more glances
in gym class showers
or wrestling in the dark.
Flinching at shots
over your casket,
I wish, of all things,
that you could have found
your way back,
found your way
to love.
My Son at Three (1978)
Bi janus
Under the oak,
on leaf-strewn lawn,
the boy, solitary,
bends, forearms
on thighs, to observe
some insect or worm.
The breeze rustles
hissing leaves.
The boy, unthinking,
among friends,
puts finger to lips,
and hushes the wind.
Jim’s Voyage
Bi Janus
A sea can have mountains,
or a river,
and climbing
is a sidelong journey
against gravity and tide.
Luffing sails before the wind,
hesitate and concentrate,
as a man might rest
leaning on his walking stick
face turned up to a crest,
before the wind takes you
at angles to the goal.
Switching back on the chop,
tacking to shore from shore,
an improbable journey made
possible over a certain length
but whiling an uncertain time.
On Viewing Two Sailors Urinating by Charles Demuth, 1930
Bi Janus
We are cast as the Elders
ogling Susanna
at her toilet.
But you put us
on our knees
confronting the cocks
instead of leaving us
in the greenery
peering down.
Are you bringing us
to concupiscent silence
at one man holding
both members?
Susanna and all
her sisters
seem to sigh
in acquiescence.
As men we should
perhaps understand
the transgression,
strictly a crime,
but understandable.
You gave not
the sailors to women
as Rembrandt gave
Susanna to lechers –
they are for our eyes.
Only in this way
could you make
equal
the transgressions,
as the sailors sigh
but not in acquiescence.
Ripe for Wounding (1974)
Bi Janus
On the couch
while Ann fixes tea
you ask
how you can find him
and what you might
do if you should.
We’ve been reading
Eliot on the porch
and you are a student
with no one else to ask.
Ann kisses your forehead,
murmuring your perfection.
We want love so much
we see it everywhere
often where it is not.
The Idea of Usefulness at Snyder’s Bar (1965)
Bi Janus
No warmth on my palm
sliding over the wood table,
where sawdust is the unction
for a child’s confusion.
At the right hand of a beer
John Joseph sits in conversation
at the bar with an archangel
who keeps his glass full.
The pucks slide without
the friction of our hands held
tight when walking with Dad
to the tavern for quality time.
The silence of that progress,
his guilt heart-locked and leaden,
fashions my rough desire
to find my use in his life.
Would I be useful if flesh
were stripped from me
in a sky burial
and my thighbones
were wrought flutes?
The Boys They Masturbate
Bi Janus
with apologies to e e cummings
Poor Mom and Dad
Wonder, stuck in mild confusion
He thinks the boys not so bad
She keeps a nice delusion
The boys they come out faces flushed
From tiled rooms but can’t be rushed
The boys they masturbate
And never don’t or hesitate
For any time is ripe
When urges pop of any stripe
To have a randy bout
And make themselves turn inside out
The boys do linger nearly forever
And more excuses make quite clever—
more time for reading or meditation
No need for laxative medication
Dad tells Mom they’ll be all right
For he remembers that delight
The boys they masturbate
And never don’t or hesitate
For any time is ripe
When urges pop of any stripe
To have a randy bout
And make themselves turn inside out
Second Commandment
Bi_janus
You have reason
to be jealous,
and we feel Your fear
behind the bitchy rant.
At the beginning,
we ate the juicy pulp.
Did Your fear begin then,
when we outran You,
became, as You feared,
like one of You?
Did Your own intemperate fire
begin to singe Your leaves?
Five thousand years
of pique have not
calmed Your jealous heart,
because You know that,
kneeling together,
entering human communion,
drinking an offering
from the same stem,
sharing the salty spend,
a mana of human devotion,
we hear You aghast
that we know Your heart.
Nagasaki
Bi Janus
Sun bleeds to the line
where sky melts into sea.
The end moves ahead,
a mirage in verdure.
The heat on my back
turns me for an instant,
the flash long passed,
before the fire consumes.
Few see my mouth,
corners turned up,
the grin blossoming
in the sweet psyche
And lost to the world
in the dispersion of vapor.
Nothing is harder than
speaking old verity newly.
Life and death
vary not one whit.
Original Face Instruction Manual for Worrywarts
Bi Janus
Inattentive breathing
or mindful breathing,
step without attention
or mindful step,
all thought and action
collapse
toward the still point in the precise turning
of inhalation
to exhalation.
From the still point in the precise turning
of exhalation
to inhalation
the world that can be enjoyed and suffered
arises.
No object,
no category,
not time,
not this,
not that,
arises in any other way.
23,040 chances each day to attend.
Moon on the First Day of Autumn 2012 at the Columbia River
Bi Janus
Moon in moving water
Moon and water shimmer
Water stained clear
No longer look heavenward
Explication:
In the moment
before you complained
before you looked heavenward
you were beyond now and then
Chasing that moment now
is useless
yet you cannot
let it go
and deserve what you get
Elias Ascends
Bi Janus
The middle country seemed right,
full of spines and deserts,
for a liaison neither of us
thought wise given our parting.
We thought we would age together
at a distance, perhaps finding
others to help soothe the wolf,
love being tended fruit, not miracle.
We did, though twenty years
together, insinuated
in our souls, comforts
all the loves we ever made.
A glistening joy, every liquid
we could exude clinging to us.
Enough about that — the room.
We were boys and old men.
As your namesake did, you ascend
in the whirlwind but on a fiery plane.
Here is what I know of you —
upon my face, an unsighing smile.
The Metaphysics of Suicide
Bi Janus
for Abe Sensei
The oncologist glares.
I’d like to fire you;
refusing treatment
is craven and suicidal,
says he.
No, I tell him—
your equality is in
error.
Suicide itself,
an error
born of
misperception
that the rest of
painful life
is more than
fleeting,
that its own
end is distant
though it comes
the next instant
no matter
what one does,
though not
an unforgivable error.
Loowit (2003)
Bi Janus
Loowitlatkla (Lady of Fire) was, in the myth of the people of the middle Columbia River, an old woman who was made by a powerful spirit immortal, then beautiful, and finally a mountain that white men call St. Helens
The hard paths
vouch us solitude
and we need
solitude to find
what is in us.
On the hard paths
we carry everything
important on us
and we need to see
what is in us.
At the end of day
at the midpoint
of the hard path
we are stripped,
as the thinning forest
is, to necessity.
Unsheltered in solitude
we reach in to see
what we can do
here, naked to
each other
on the mountain,
on the hard path
where no one
other will come.
Your scent and mine
on the hard path
begin an enquiry
in the ancient brain,
the brain of mammals
startled in an act.
We wonder who
takes whom
on the hard path
by the meltwater,
the meltwater almost
flashed to vapor
by what we find
in the solitude
of the hard path
on Loowit’s flank.
Riding Tanner Creek
Mens fortissima sine mens fanatica
For Ann, maybe the last one
Crossways with you,
you, taking a journey
on which
I had devoutly hoped
to carry you,
you, lugging
me up, my remnant
in your pack,
I, once more
on your back,
ferried across
the roiled water
of Tanner Creek,
a lighter burden
now than ever
in life.
Ex cathedrae
of Nichiren Nuns,
chanting the world
into flower, voices reaching
to as much heaven
as men permit,
my ash and gravel,
blown upward
by Wahclella’s plunge,
settle at last,
mingling with earth ash
in Tanner Creek.
From your rooted place
as you watch me,
shrouded in foam, making
a final trek down
Tanner Creek,
will your spirit,
as I devoutly wish,
rush beside me
on rocky incline,
laughing,
into the uncertain world
we made for you?
Hearing the Poet
Bi Janus
A poem is a sorcery of sound
reduced to type,
as old clothing
fluttering on the drying line.
I first read Yeats
when I was ten,
the cabin made and
linnet's wings.
I heard his voice
when I was seventeen,
the meter by force,
chanting the Lake Isle.
Now, I wish
every poet's voice,
chanting his song
as he chanted in room or mind
when he conjured its life,
rippled the air between us.
O-nami
Bi Janus
Sea sounds
rise in the ear
as the snowy mountain
contours before me
mimic swelling waves,
snow into ocean cries,
residue of heartfelt wonder.
The voices of the boys
laughing on the trail
to the Devil’s Elbow
raise you from the ash
crunching under foot.
Bellies on short boards,
we nose over swells
made across the world
by a storm we shan't see.
A couple in the evening,
riding again and again
toward the eastern shore
and our clothing,
we force past the breakers
westward toward Mexico
to more gentle undulation,
and wait side by side
for a wave to lift us.
As I turn to catch, dark friend,
you catch my hand with yours,
keeping us joined and pointed
to the disk of the dipping sun,
every hope and fear
distilled to shared silence,
delaying an inevitable journey.
Return of the Gardener
Bi Janus
The mild surprise,
unconcealable,
almost out the door
between the legs,
a sly pup
pulled back by its tail,
shame-faces
put right
with smiles.
No card to pass
around this time.
You’re looking better,
not so drawn,
a succulent suffused—
epidemiologists ask,
steroidal edema
masking wasting?
The pruning’s
long done.
Now, the poison
for the nematodes
mixed and spread.
The little buggers,
cut in half,
become two each.
In the present case
eradication
is the homicidal cure,
and a flowery
shrub reprieve
is what you take,
a tenuous balance
among things,
proper and not,
growing in the soil.
The bed’s
put right as rain
one more time.
Back to anthrax,
pertussis and E. coli,
influenza churning
through unremarked,
disaster an
intellectual puzzle.
Marshal some strength,
planting season
approaches.
Again, civil comments are welcome, even those that question the sanity of the poet without characterizing him as perverse.
Conversion of the Innocents
Bi Janus
For John, who at least died unashamed
The enervation
of the Sacred
does not follow
from a man
loving a man.
Shhh! So little time
you had in sunlight,
most in the shadow
of a father’s unkindness.
I thought together we would
give you relief,
but, no, only brief joy
overcome by your tears
while my heart vibrated
between our baptismal trysts.
Rather, the impulse
precedes shame,
until Fathers
strike it cold,
when a boy
loves a boy.
Johnno, you thinking
my walls passing strange,
as from them, surfer boys
and Ursula Andress stared,
while the eyes from yours,
watching us cavort,
were above the thorn-wreathed
Sacred Heart of Jesus.
You were the one abashed
when I took your hand
on the street,
and you never quite believed,
even after we mixed it up
with that fine young girl.
No Holy Writ
instructs human love,
alas excepting Solomon,
but we might find the way
if tentative embrace
is not decried
by shame.
Ever Present (1978)
Bi Janus
For Elwin, Ann, and Justine
Changing the bed linen
and then to the laundry room
as we do after each romp
They wouldn’t mind the task
We are too polite
to avoid the courtesy
The women are ever present
something of them even
in our coupling frenzy
Their smiles
and wagging heads
They both have boys
Thirteen-year-olds’ Song (1963)
Bi Janus
Two pups
in twin beds,
talking of
life and sex,
“What’s it like
when you kiss her?”
Come over,
I’ll show you.
After the fun,
my ear
to your chest,
I hear the same song
her heart sings to me.
Mom’s Advice on How Bisexual Teenagers Should Live (1965)
Bi Janus
Sticks and stones
may break your bones,
but not their confusion.
They see you here,
they see you there,
your target always moving.
In Darwin’s joyous revolution,
survivors pressed by evolution,
you have no perverse bent.
So, stop your weepy whine.
Without dichotomy to define,
you have an enviable fate,
twice the chance of a Friday date.
Tulips and Daffodils
Bi Janus
We worked the bed at noon
and in early evening twilight,
consigning tulips and daffodils,
surprised by the excavated
claws and canines in the dirt
until supine and side by side
at twilight in the backyard,
a thin blanket between us
and grass spears thrusting
at our skin
the darkness comes on
relentless to cover us
and you keep us uncovered
In a world translated to ghosting shades,
the wolf's spirit resurrected circles in shadow,
eyes aglow with the moon, stars on the ground,
your song living in his blood,
and he inclines to you always as
your breath in his nostrils sustains him
At rest on the grass
your breath I draw
into my mouth
until shades are but
shadows awaiting the dawn
Next to me even soft edges
of your familiar form
are but reminders, whispers
of your flesh in daylight
as the wolf keens in the night
of what drives us to silence
and rituals of flesh and spirit
in which eyes are superfluous
as they are in dreams
We dream in the twilight of morning
coming on, reaching to the clarity of dawn,
though enough brilliant light
conceals as much as night
A Day's Work
Bi Janus
Only those who have let go
every possession,
every dear heart,
every belief and doodad,
every desire for more,
every desire for less,
every friend and lover,
every parent and child,
every tenet of faith,
every grasping,
Only those who have let go
every valuable and raiment,
having nothing more to lose,
are not cowed in fear
at the dawn of day,
at the end of days.
Yet, this evening,
with relaxed hands
I carry with me still,
just on my fingertips,
her and him.
Perhaps the groan
in the last exhalation
will be worth their weight.
Drifting
Bi Janus
Out on the perilous deep
Where dangers silently creep
And storms so violently sweep
You're drifting too far from the shore
Drifting too far from the shore (from the shore)
Drifting too far from the shore (peaceful shore)
Come to Jesus today, let him show you the way
You're drifting too far from the shore
—Charles E. Moody (1923)
The shore vaguely recalled
the expanse now home
and no clear path
I shall find my own
Storm spun or glass
no avatar strides
the deep ocean
no idea instructs
The great vehicle
carries me on
I am all and alone
boat and sailor
Starless sky comforts
Boundless sea comforts
Shoreless, I came from this
to this I gladly return
For the shore is a prison
You Will Go
Bi Janus
When the music fades,
when you look him
or her
through the windows
of the soul, yes,
the eyes and even after
the eyes close,
so that all the sighs,
the softness
at your fingertips,
the attar of skin,
the savor of sweat
end equivocation,
and he or she,
drowning in love, asks
from whom did you learn,
I hope you whisper
my name.
Whitman Among the Baptists
Bi Janus
“What a friend we have in …”
With own eyes level
between heaven and hell
the boy finds his eyes
in the back of the hall.
Easing against the wall,
water drips from his linen shirt
fresh from some baptismal font.
Both hear the crowd’s voices,
raised as one, rattle
the metal folding chairs,
as, eyes closed and faces
turned toward heaven,
it searches for Him —
it could only be Him.
Bird song over the drooping sun,
beards and loose joints,
muscles and sweat smell
break the spell
as the boy pulls his arm
over his own shoulder, shelter
from the believers’ fears,
his needs too close
under his skin, pressing
against crowd conscience,
pulling him away from Him
toward him.
Paving Stone to Mirror
Bi Janus
In the room decades ago
we saw little clearly.
For you it was scratching an itch,
a relief, and as for me
a waypoint on the road
to holding a naked girl.
May we live so long.
Transgression is its own reward
and sharing release seemed to you
worthy risk until the itch resolved.
Our dawning occupation was risk
and we were stupid about chance.
I might draw a story of this
to make you shudder.
But how could I
without making you wonder?
May we never hurt one another.
Even before cleaning ourselves,
you wanted to forget the moment.
I did not and reached
to the curve of your back.
Left-handed Writing
Bi Janus
With thanks to Bill Withers
Not calling to me
and not insistent.
A story overheard
walking by,
a susurration
on a rainy evening.
I could tell by the voice
he wishes me to sit.
No scold; no lesson,
just a story, the kind
with an ending
you dare not miss.
Once I went awarring,
and he sings to me
as if he might have done.
He sings the surprise
between young men
across the losing-ground.
The lyric reaches
around my shoulder,
just a way of saying
let’s sit a while, survivors,
and look ahead together,
seeing not clearly.
Once, when Baso was walking with his disciple Hyakujo, wild ducks were flying over them. Baso, the great teacher, said, “What are they?” Hyakujo said, “They are wild ducks.” Baso said, “Where are they going?” Hyakujo said, “They are flying away.”
Baso gave Hyakujo’s nose a great tweak. Hyakujo cried out with pain. “Did they indeed fly off?”
Hyakujo’s Duck
The duck knows one cannot prepare.
It is the convenient object of a moment.
I summon that duck from beyond
a horizon of twelve hundred years—
Baso has shared it with me,
I think as a diversion to trip me.
Where has it gone?
The duck, the mind, the place
where I try to stand still?
For if I fail to follow the duck
as it flies I cannot in a moment
answer the first question—
What is it?
They will ask this question
about me soon—where did he go?
I will throw Baso’s obstacle at them.
Sadly, or not, no trick will
startle them to attention,
so they may believe I have gone
and they will smack their crowns
on horizons of their making
as their hearts seek me.
Did I indeed fly off?
John (1983)
Bi Janus
In the night perhaps,
Your parents and the priest
Huddled about your crib
And plunging their hands
Into your lovely chest
Girded your heart
With a circle of thorns.
So that when you took
The road to Emmaus
You reviled yourself
Met on the path.
On that road I knew
Your heart beneath thorns
And when we loved
The moments of joy lived
Until every joy was pricked
By those thorns
I could never unwind.
At the last
You in the chair
Your search for love ending
I held your wasted hand
And when you asked
If Jesus of the Sacred Heart
Wreathed in thorns loved you
I lied and whispered
To the last sense to leave
A lie—Yes.